Brian Turner (USA)

• Poem 1: ​Thera
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• Poem 2: Exit Interview with God
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Thera
 
 
We were all Jack Gilbert’s lovers, not in the world
but in the poems, in the world of the poems, dying
on the rocky broken spurs of hard islands in a blue
country across the sea, lovers carried in his arms
for decades sometimes, more, the wind a character
that refused to lift the center of the word pain, where
vowels fall into the letter n the way the summer,
wheat-blazed and feral, pours into the cold weeks
of November, winter in its bones to come. Jack
loved us, not as a god or a devil, however nuanced,
but as one who must attend to the difficult harvest
of a life, to the losses and the simple grain that we might,
if we listen beyond the howling in our own hearts, hear 
him singing about as he carries us up the dead mountain.
 

Exit Interview with God
 
 
After we’re dead, we’re told to wait in old photographs
until it’s our time in the queue to sit down with god
and have a good long talk about the ways of the world,
the path we made through it, our attempts to construct
an identity that could weather the years allotted to us.
 
Until then, we wait in these monochrome prints, which expand
dimensionally to allow us to wander through the old rooms
and fields we can no longer fully remember, trying to recall
the hues of green in early May, the rust of an autumn
long since faded into shades of wet aluminum, slate.
 
It is a silent world, but we manage to communicate
in our own ways—tracing the figures of letters
through the morning frost on blades of grass,
or simply leaning our heads in the direction
of our thoughts, the way shadows do.
 
I prefer the park bench beside the lake, the tall trees
listing in a breeze that cannot be felt, as if the world
were a boat endlessly rocking, with birds in silhouette
flying low over the water, their thoughts repeated
as I must be to them, a lone figure, seated, turned upside down.
 

BRIAN TURNER is the author of five collections of poetry (from Here, Bullet to The Wild Delight of Wild Things) and a memoir (My Life as a Foreign Country). He’s the editor of The Kiss and co-editor of The Strangest of Theatres. A musician, he’s written and recorded albums with The Interplanetary Acoustic Team, including 11 11 (Me Smiling) and American Undertow with The Retro Legion. His poems and essays have been published in The New York Times, The Guardian, National Geographic, and Harper’s, among other fine journals, and he was featured in the documentary Operation Homecoming: Writing the Wartime Experience, nominated for an Academy Award. A Guggenheim Fellow, he’s received a USA Hillcrest Fellowship in Literature, the Amy Lowell Traveling Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation. He lives in Orlando with his dog, Dene, the world’s sweetest golden retriever. Brian Turner has five collections of poetry, from Here, Bullet to The Dead Peasant’s Handbook (all with Alice James Books), and a memoir--My Life as a Foreign Country (with W.W. Norton & Co.). He’s the editor of The Kiss and co-edited The Strangest of Theatres. He lives in Florida with his dog, Dene, the world’s sweetest golden retriever.
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